Exploring the Landscape of Cinema and Media Studies in ItalyÌýPast and Present, Approaches and Issues
Fifth Edition of the Journal of Italian Cinema & Media Studies International Conference
In Person ONLY
91Ö±²¥ of Rome
11-13 June 2026
Ìý
Ìý
Conference Documents
-
Conference programÌý(pdf)
-
Bio notes of all participantsÌý(pdf)
Ìý
Opening Keynote Address
Professor Giorgio BertelliniÌý- University of MichiganÌý(USA)
“A Crucible of Sorrow�: The Question of Pain in Italian Americans’ Screen Life
For over a century, Hollywood has portrayed Italian-American characters as both inclined to perform violent acts, as mainstream criticism has regularly stressed, but also to endure violence. Recognizing this second, no less common, representational strand has significant consequences. In contrast to the notion that immigrants are a problem in need of a solutionÌýaccording to the familiar formula of "crime and punishment,"ÌýItalian- Americans’ repeated portrayal as “wounded charactersâ€� has, since theÌýsilent era, addressed one of Hollywood's more troubling needs — showcasing experiences of pain, anguish and defeat.
Giorgio BertelliniÌýis Professor in the Department of Film, Television and Media at the University of Michigan andÌýmember of the Advisory BoardÌýofÌýJICMS.ÌýHe is the author and editor of the award-winning volumesÌýItaly in Early American Cinema: Race, Landscape, and the PicturesqueÌý(Indiana University Press,Ìý2010),ÌýItalian Silent Cinema: A ReaderÌý(John Libbey/IndianaÌýUniversity Press, 2013), andÌýThe Divo and the Duce: PromotingÌýFilm Stardom and Political Leadership in 1920s AmericaÌý(University of California Press,Ìý2019;ÌýItalian trans.ÌýLe Monnier,Ìý2022).ÌýHis other books include a monograph on Sarajevo-born film director Emir Kusturica, published in Italian, English, Romanian and Persian.
Ìý
Closing Keynote Address
Professor Frank BurkeÌý- Queen’s University (Canada)Ìý
“Like Being in a Fellini Movieâ€�: An Exploration of Altered StatesÌýin and Around the Work of the Italian Director
The discussion will move through childhood fantasy and Fascist gaslighting to the altered state of Fellini’s reputation today and possibilities for Fellinian reinvention via the challenging “alterityâ€� of AI. The concept of “altered stateâ€� will function as an umbrella term to engage biography, history, and Fellini’s work, as well as various and often contrasting inflections of the “alteredâ€� such as numinosity, transformation, visionary insight, disfigurement, dissociation, sublimation. “Like being in a Fellini movieâ€� will also embrace what ultimately became Fellini’s two most self-absorbingly altered states: dream (Il libro dei sogniÌýand various films) and death (various films, “Il viaggio di G. Mastorna,â€� et al.).
Ìý
Frank BurkeÌýis Professor Emeritus from Queen’s University (Canada). He has published five books on Fellini, includingÌýA Companion to Federico FelliniÌýwith M.ÌýWaller and M.ÌýGubareva (WileyÌý& Sons, 2020), andÌýFellini’s Films and Commercials: From Postwar to PostmodernÌý(Intellect, Chicago UP, 2020).ÌýHe has provided the audio commentary, along with the late P. Brunette, for the Criterion Collection’sÌýAmarcord,Ìýas well as solo commentaries for Criterion’sÌýRomaÌýandÌýIl bidone. He has also publishedÌýA Companion to Italian CinemaÌý(John Wiley & Sons, 2017) and (with A. Hough-Dugdale and M. Gubareva) a special issue ofÌýtheÌýJournal of Italian Cinema and MediaÌý(11:1, 2023)Ìýon Tonino Guerra.ÌýHe has also published on numerous ItalianÌýand AmericanÌýdirectors,Ìýhorror cinema, experimental cinema, theÌýpeplumÌýand Canadian cinema.