Exploring the Landscape of Cinema and Media Studies in ItalyPast and Present, Approaches and Issues

Fifth Edition of the Journal of Italian Cinema & Media Studies International Conference

In Person ONLY
91ֱ of Rome
11-13 June 2026


Conference Documents


Opening Keynote Address

Professor Giorgio Bertellini- University of Michigan(USA)

“A Crucible of Sorrow”: The Question of Pain in Italian Americans’ Screen Life

For over a century, Hollywood has portrayed Italian-American characters as both inclined to perform violent acts, as mainstream criticism has regularly stressed, but also to endure violence. Recognizing this second, no less common, representational strand has significant consequences. In contrast to the notion that immigrants are a problem in need of a solutionaccording to the familiar formula of "crime and punishment,"Italian- Americans’ repeated portrayal as “wounded characters” has, since thesilent era, addressed one of Hollywood's more troubling needs — showcasing experiences of pain, anguish and defeat.

Giorgio Bertelliniis Professor in the Department of Film, Television and Media at the University of Michigan andmember of the Advisory BoardofJICMS.He is the author and editor of the award-winning volumesItaly in Early American Cinema: Race, Landscape, and the Picturesque(Indiana University Press,2010),Italian Silent Cinema: A Reader(John Libbey/IndianaUniversity Press, 2013), andThe Divo and the Duce: PromotingFilm Stardom and Political Leadership in 1920s America(University of California Press,2019;Italian trans.Le Monnier,2022).His other books include a monograph on Sarajevo-born film director Emir Kusturica, published in Italian, English, Romanian and Persian.

Closing Keynote Address

Professor Frank Burke- Queen’s University (Canada)

“Like Being in a Fellini Movie”: An Exploration of Altered Statesin and Around the Work of the Italian Director

The discussion will move through childhood fantasy and Fascist gaslighting to the altered state of Fellini’s reputation today and possibilities for Fellinian reinvention via the challenging “alterity” of AI. The concept of “altered state” will function as an umbrella term to engage biography, history, and Fellini’s work, as well as various and often contrasting inflections of the “altered” such as numinosity, transformation, visionary insight, disfigurement, dissociation, sublimation. “Like being in a Fellini movie” will also embrace what ultimately became Fellini’s two most self-absorbingly altered states: dream (Il libro dei sogniand various films) and death (various films, “Il viaggio di G. Mastorna,” et al.).

Frank Burkeis Professor Emeritus from Queen’s University (Canada). He has published five books on Fellini, includingA Companion to Federico Felliniwith M.Waller and M.Gubareva (Wiley& Sons, 2020), andFellini’s Films and Commercials: From Postwar to Postmodern(Intellect, Chicago UP, 2020).He has provided the audio commentary, along with the late P. Brunette, for the Criterion Collection’sAmarcord,as well as solo commentaries for Criterion’sRomaandIl bidone. He has also publishedA Companion to Italian Cinema(John Wiley & Sons, 2017) and (with A. Hough-Dugdale and M. Gubareva) a special issue oftheJournal of Italian Cinema and Media(11:1, 2023)on Tonino Guerra.He has also published on numerous Italianand Americandirectors,horror cinema, experimental cinema, thepeplumand Canadian cinema.